
- #PIRATES OF THE CARIBBEAN 2 FULL MOVIE WATCH WATCH ONLINE#
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It must have been clear to her that nothing was stirring in his netherlands.
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He asks Helen, an FBI secretary, out on one of the more unusual first dates in movie history he demonstrates the workings of a card file system with great pride. In an extraordinary moment of self-image control, Hoover concludes that it would be beneficial for him to have a wife. " The other was a young woman named Helen Gandy ( Naomi Watts).

One was his domineering mother, Annie Hoover ( Judi Dench), who makes clear her scorn for men who are "daffodils.

Two women figured importantly in Hoover's life. It was Hoover's militant anti-gay position that served as their beard. The rewards for arguably not being gay were too tempting for both men, who were wined and dined by Hollywood, Broadway, Washington and Wall Street.
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Indeed, Rossio and Elliot smartly exploit these in some wonderful action set-pieces, the best seeing Jack attempting to escape from a cannibal village while tied to a pole that’s also skewering a selection of exotic fruits, and hurtling down a chasm Wile E. After all, Jack Sparrow //is// a pirate, a bad guy in a hero’s hat, a man driven by self-gain over concern for the greater good, who will run away from a fight and cheat his ‘friends’ without a second’s thought.Įven without the surprise value, Depp is once again an unmitigated joy as Captain Sparrow, delivering another eye-darting, word-slurring turn with some wonderful slapstick flourishes. There is fortunately a good side to all these plot complications and confusions: with pretty much every main character following their own agenda (surrounding the contents of the titular container, which is linked to Nighy’s Davy Jones) we don’t get the predictable ‘all friends together on the same quest’ structure, and there’s a surfeit of surprises, crosses and double-crosses and cheeky character beats which stay true to the original’s anti-heroic sense of fun. But with director Gore Verbinski rushing so much to get everything rolling and everyone together, he often leaves us behind to play catch up with our brains and figure out what the hell is going on. This is partly due to the fact that in some scenes you’re straining to hear what people are saying because Zimmer’s busy score is so high in the mix. And as for the main plot, the exposition is forever muffled. Why, for example, bother writing Crook and Arenberg back into the story? Couldn’t writers Ted Elliot and Terry Rossio have found a fresh source of buffoonery? Norrington, meanwhile, is given a whole diversion-creating sub-story that is wholly unnecessary. Sure, such a dazed swagger is neatly consistent with its lead character’s now trademark, drunken-sailor gait, but a more direct route would have been far, far better.

It’s rather that the plot contortions required to get them – along with Jack Davenport’s Norrington and Mackenzie Crook and Lee Arenberg’s comic-relief cut-throats – in the same frame leaves Dead Man’s Chest convoluted and stumbling, zigzagging its way forward over a too-long runtime. It’s not so much that putting Johnny, Keira and Orlando back together is inherently a mistake. But here’s a possibly controversial, certainly upsetting, proposition: Pirates 2, aka Dead Man’s Chest, would have benefited by jettisoning much of the original cast, and following Captain Jack into different waters. From The Empire Strikes Back through to X-Men 2, the reinvigoration of winning team dynamics has ensured follow-ups that, at the very least, match their predecessors. Everybody loves it when a sequel reunites the original cast.
